2011, Amy Adams, Jason Segel, Chris Cooper. Directed by James Bobin. Written by Jim Henson, Jason Segel, and Nicholas Stoller.
Think of the coziest, happiest, sweetest, most enchanting memory of your childhood. Now triple that feeling and you are getting close to capturing the special magic that is, collectively, the Muppets. Sure, they’ve been around for a while, but in their own classically unique and ageless way, they are as fresh and relevant now as they ever have been.
I was privileged to see the new movie The Muppets with not only the other two-thirds of CosmicTwinsMedia.com, but several members of a multi-generational pack that included a five-year-old, a guy in his late twenties, some thirty-somethings, and a couple of old geezers. It’s difficult to say who enjoyed it more, the five-year-old or the rest of the group. (There was some particularly noisy laughter and enjoyment emanating from a couple of the thirty-somethings, who shall remain nameless. For now.) Some of the sight gags and jokes were a little over the five-year-old’s head, but he was just as engrossed in the story as the rest of us. The Muppets’ special brand of humor still transcends age.
In this latest film from the empire that Jim Henson built, the Muppets have each gone their own way, missing the glory days of the old Muppet Show and the Muppet Theater where they performed their variety acts and welcomed a new guest host each week. The old show has lived on in syndication and on disc, capturing the imaginations of new fans with the passage of time. One of these fans in particular, Walter, is such a devoted follower of the Muppets it is his life-long dream to some day tour the Muppet theater and maybe even (gasp!) meet Kermit. Walter’s brother Gary (Jason Segel) and Gary’s girlfriend Mary (Amy Adams) decide to help Walter realize his dream and do a lot of singing about it before they hit the road to Hollywood.
When the trio arrive in L.A. and discover that the old Muppet theater is not the museum it should be, but a dilapidated, neglected, derelict, their disappointment is understandable. Then they also discover that a greedy bad guy is going to tear it down and drill for oil! This cannot be allowed to happen! The only way to save the historic home of Kermit, Miss Piggy, Fozzie Bear, Gonzo, and all the rest of the troupe is to raise $10 million in an impossibly short time. The only chance of raising all that money in such a short time is to get the old Muppet gang back together and put on a telethon to get donations from Muppet fans. The problem is that all of the Muppets have scattered far and wide and Kermit is afraid that they are no longer interested in the old variety show. Even worse, Kermit fears that Miss Piggy will never consent to rejoining the act as she has declared that she is through with him once and for all.
Will Kermit, with Walter, Gary, and Mary’s help, be able to find all of the old gang? Will Miss Piggy reconsider and take Kermit back? Will Gary realize that Mary wants a life for the two of them that might not include Muppets on a 24/7 basis? Will the Muppets be able to find a willing guest host for the telethon? Will Walter ever realize just how much of a Muppet he is on the inside (as well as on the outside)? These questions and more are answered as the gang careens through innumerable sight gags, double entendres, hilarious situations, fantastic cameo appearances from Hollywod A-listers, and riotous jokes, not to mention some spectacular song and dance numbers. The nostalgia factor for those of us who have been long-time Muppet/Henson fans is off the charts, but even more importantly, it gets the five-year-old’s stamp of approval. To quote him: “It was awesome!”